Theatre, Ballet/Dance

Wayne Eagling – Tamás Solymosi / Pyotr Ilyich Tchaikovsky
THE NUTCRACKER
Fairy-tale ballet in two acts

László Seregi / Sergei Prokofiev
Romeo and Juliet
Ballet in three acts

What we present is not the story of Kahlo’s life but an independent visual theatre vision inspired by her art and career about a dramatic but also colourful and lively world.

Radina Dace / Pjotr Iljics Csajkovszkij
LITTLE SWAN LAKE
Children’s production for little ones
Please note, that this programme is in Hungarian and we do not provide any translations.

Pursuing happiness, love and affection through countless adventures across this great wide world, but still eventually finding a final peace in the arms of his beloved, Peer Gynt is one of the most complex characters in 19th-century drama.

A Michael Flatley által létrehozott Lord of the Dance 30 éves jubileumát ünnepli 2026-ban!

Marius Petipa / Sir Peter Wright / Sir Frederick Ashton / Pyotr Ilyich Tchaikovsky
THE SLEEPING BEAUTY
Fairy tale ballet in three acts

The idea for The Nutcracker ballet came from theone-time director of the Tsarist theatre who, based on E.T.A. Hoffmann’s fairy tale entitled the Nutcracker and the Mouse King, wanted to stage a fairy tale ballet that would surpass all that had gone before, both in sound and in spectacle. Tchaikovsky was asked to compose the music and after Swan Lake and Sleeping Beauty his third and final ballet was also a great success. It was the six-movement suite of the music of The Nutcracker that was first performed in March 1892, and in December of the same year the spectacularly presented theatrical work was also performed. The Nutcracker has become the most frequently played ballet piece of all time.

Kippkopp karácsonya
A TáncTánci baba-táncszínházi program keretében

A LÉTEZÉS egy tangó táncszínházi alkotás, amely az emberi élet útját járja be – a fiatalság sodró lendületétől az öregkor csendes belátásáig. A tangóban születik meg ez az utazás, az ölelés intimitásában, a lélek és a test mély kapcsolódásán keresztül.

A betyárok a magyar néphagyomány jellegzetes alakjai. Népdalok, népmondák, balladák őrzik híres betyárjaink emlékét, de tárgyi népművészetünknek is kedvelt témái a betyárábrázolások. Alakjuk a népi emlékezetben gyakran idealizált hősként maradt fenn.

Rudi van Dantzig – Toer van Schayk / Pyotr Ilyich Tchaikovsky
SWAN LAKE
Classical ballet in three acts

One evening – two dance productions by the Szeged Contemporary Dance Company.

The Fitos Dezső Dance Company is careful to regularly stage dance theatre performances that consider the authentic transmission of folklore and the cultures of various historical Hungarian regions as their primary goal. Transylvania Express is a selection of Transylvanian dances and music. With this performance, we want to convey the message that traditional culture lives on in all of us who believe in the value of keeping tradition alive—because tradition defines our future!

Marék Veronika kedves kis hősei arra tanítanak minket, hogy ne akarjunk másnak látszani, csak azért, hogy befogadjanak minket olyanok, akikkel nincsen semmi közös bennünk. Merjünk önmagunk lenni, merjünk azok lenni, akik vagyunk! Mindenki értékes és mindenkinek van valahol egy társa, aki olyan mint Ő.

"Kippkopp a havas erdőben sétált, mikor odaröppent hozzá barátja, a cinke…" kezdődik Marék Veronika meséje egy egészen különleges napról, melyben a kis gesztenyefiú ellátogat a városba, hogy megtudja, miért nőtt fenyőfa egy házban, a szoba közepén. Kalandja során megismerkedik a kis Csillaggal, aki végigkalauzolja őt a díszbe öltözött fenyőfán, s végül megtudja ő is mi is az a Karácsony.

Carmen is the symbol of freedom. Her story is the drama of inextinguishable, uninhibited love.

The Cherry Orchard dance theatre performance evokes the pain and beauty of change on the edge of a bygone world, where past and present are intertwined.

Egyszer, amikor a gonosz páncélfejű grafitbogarak uralkodtak az erdõben, egy éjjel gyönyörű gyógyító erejű virág nõtt a rét közepén és a varázsvirág visszakergette a szürkebogarakat a föld alá.

The evoked era in the performance coincides with the time of the original premiere of Swan Lake. At the same time the second half of the 19th century was also a period known for the spreading of mental hospitals; patients 'possessed' by animal spirits and treatments of mental illnesses by torture and other bizarre methods.

Some people need to immerse themselves in the world of a true classic every evening: this family fairy tale ballet by the Szeged Contemporary Dance Company gives every member of the family the opportunity to do just that.

We don’t really understand why he does what he does – Hermes is an enigma. His personality irritates us, yet there is something about him that captivates us. How does he enchant us? What is at the heart of the magic that this taboo-breaking, charming and arrogant trickster casts on us?

A Kockásfülű nyúl
A születésnap

Confinement and isolation, freedom and endlessness. FrenÁk’s emotionally charged choreographic structures use dynamic forms of movement to gain visibility and captivate the audience.

Timár Sándor Kossuth-díjas koreográfus, táncfolklorista, táncpedagógus, a Nemzet Művésze meghatározó szerepet játszott a 20. század második felének magyar táncművészeti életében.

What do people really want? The answer is difficult, since we are constantly searching for a way out of a perfect world, the way back to Eden after our exile. The Eve & Adam performance addresses this universal question through the language of movement and the artistic representation of two young choreographers.

Peter Shaffer: Requiem a szerelemért
Bemutató: 2025. október 10.
A bemutató a Szegedi Kortárs Balett és a Müpa együttműködésében jön létre.

Diótörő
A karácsony legvarázslatosabb meséje az ukrán balett-társulat előadásában.

A Székely gate is a symbol of ancient power, faith, hope, belonging to God, a channel of communication between heaven and earth. Its three posts represent the unity of body, soul and spirit, and its carvings are symbols that render protection, grace and blessing.

This production of the FrenÁk Company features adynamic team, the members of a new generation. The young, creative dancers draw on the energies of their colourful cultural and linguistic differences as they bring a new creative approach to FrenÁk’s concept. It is a fusion of the arts, a multimedia work with two contrasting yet complementary parts that reflect on the contradictions of our times.

“… for they were at hand, yet unreacheable, present, yet ungraspable …”
(Krasznahorkai László)